City of Melbourne Identity

level11:

Previous City of Melbourne Identity

Previous Identity & Sub brands / initiatives

New City of Melbourne Identity System

Identity construction

White side

Yvonne Schwemer-Scheddin: What do you regard as your best work?

Josef Müller-Brockmann: The white reverse sides of my posters!

Everything you’ve learned in school as “obvious” becomes less and less obvious as you begin to study the universe. For example, there are no solids in the universe. There’s not even a suggestion of a solid. There are no absolute continuums. There are no surfaces. There are no straight lines.

— but does it float

Ça n'engage que moi.

Enfin, non, que lui : Philippe De Jonckheere, sur le site du désordre :

Quelques nouvelles du ministère des Rafles, de celui des Élites et de celui de l'Ignorance, ou Le son que vous n'entendrez pas ce soir à la télévision.

carto-typo-graphie

Posters typographiques des villes américaines, par Ork posters et le travail typo/peinture de Paula Scher, toujours sur la carto-typo-graphie.

It used to be that when Matthew Carter told people that he was a type designer, they stared back at him slack-jawed and said they thought all type designers had died

— Une interview de Matthew Carter (Georgia, Verdana, Bell Centennial..) sur le Washington Post.

print it yourself

Le projet de Maria Roszkowska, graphiste, autour de l'édition “auto-imprimée” un brin expérimentale : print it yourself. Ce sont — pour le moment — essentiellement des projets personnel, basés autour de l'idée/contrainte : penser des éditions expérimentales pour une imprimante quelconque.

Work your ass off. Do as much as possible. Figure out what you really like and get good at it.

— Sagmeister

I learned to draw typefaces by hand on tracing paper (1988), then moved on to digitization with (…), making minor modifications on screen. Next, I began to use Bézier Curves in illustrator and Fontographer; and shortly after (…), I began to design directly on screen without any prior drawings on paper.

— Qui ?